Hefnd Diddu Morthens
4.690 kr.„Stundum læt ég mér detta í hug að prófa eitthvað nýtt. Ég hef verið í bókaklúbbi, stundað Zumba, gengið á fjöll og farið í sjósund. Ekkert af þessu höfðar sérstaklega til mín en það hefur verið skárra að hafa eitthvað við að vera. Eitthvað til að dreifa huganum.“
Starfsferill Diddu Morthens er að engu orðinn, börnin löngu farin að heiman og eiginmaðurinn er úrvinda öll kvöld. Hún hangir í tölvunni til að drepa tímann og dag einn býr hún til gervimenni á netinu til að hefna sín á gamalli bekkjarsystur. Atlagan heppnast svo vel að Didda ræðst í flóknari aðgerðir sem krefjast einbeitts brotavilja.
Sprenghlægileg saga sem bar sigur úr býtum í Nýjum röddum, handritasamkeppni Forlagsins.
Sigríður Pétursdóttir er kvikmyndafræðingur og vann lengst af hjá RÚV við dagskrárgerð í útvarpi og sjónvarpi. Hefnd Diddu Morthens er fyrsta skáldsaga hennar.
Strange Pictures
4.390 kr.A series of drawings made by a young woman before her death. A child’s disturbing picture of his home. A desperate sketch made by a murder victim in his final moments.
Each contains a chilling warning. Each reveals a terrible secret, hidden in plain sight.
Uketsu’s eerie mysteries have captivated millions of readers. Can you find the clues in these strange pictures and uncover the sinister truth that connects them all?
The Wrath of Achilles
2.490 kr.On the fields of Troy, war is raging. At its centre is Achilles: godlike, swift-footed, the greatest champion of the Greeks. But when his pride is wounded and he refuses to fight, the thread of fate begins to spin . . . From frenzied rampages to intimate moments of grief, this selection from Homer’s Iliad traces the tale of a warrior whose name echoes through the ages, and whose story remains as powerful as ever.
The Story of an Hour
2.490 kr.There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name.
Nuns, maidens, adventurers – with electricity, The Story of an Hour brings together stories of female freedom, as Kate Chopin asks the question: what will emancipation feel like for women, looking at the horizon and the future, to the frontier?
A Dog’s Heart
2.490 kr.What would happen if a doctor implanted the pituitary gland and testicles of a man into the body of a stray dog? In Mikhail Bulgakov’s topsy-turvy world, the dog starts to walk on two legs, drink, smoke, thieve, chase women and recite every swear word in Russian. The perfect candidate for a government official, in other words. This rude, riotous send-up of the Soviet Union, banned immediately on publication, is satire red in tooth and claw.
Flower
3.990 kr.‘I like eating cold, clammy wraps from big pharmacies that are open late and sell just a few foods like protein bars and powders.’ Flower is a book of realistic admissions, likes, dislikes, memories and no-brainer observations, treating personal truth as unavailable – something that must be made up and convincing. Taking cues from confessional literature, his daughter’s improvised games, poor internet writing and shitty AI, Ed Atkins, in his first work of non-fiction, equivocates between inanity and divinity, ease and pain, sentimentality and sterility.
The Gender of Sound
2.990 kr.Human history is filled with unacceptable sounds: high-pitched voices, gossip, talkativeness, hysteria, wailing and ritual shouts. Who makes them? Those deviant from or deficient in the masculine ideal of self-control: women, catamites, eunuchs and androgynes all fall into this category.
From the myths of antiquity to Margaret Thatcher via Sigmund Freud and Gertrude Stein, The Gender of Sound charts the gendering of sound in Western culture. Carson invites us to listen again, and in doing so to reimagine our conceptions of human order, virtue and selfhood.
Putting a door on the female mouth has been an important project of patriarchal culture from antiquity to the present day. Its chief tactic is an ideological association of female sound with monstrosity, disorder and death.
Pathemata: Or, The Story of My Mouth
3.990 kr.It’s not the dream that matters, it’s the telling of the dream – the words you choose, the risks you take in externalising your mind
This is a dreamlike portrait of a body in struggle to connect with itself and others. As the narrator contends with chronic pain, and with a pandemic raging in the background, she sets out to examine the literal and symbolic role of the mouth in the life of a writer.
Merging dreams and dailies, Pathemata recounts the narrator’s tragicomic search to alleviate her suffering, a search that eventually becomes a reckoning with various forms of loss – the loss of intimacy, the loss of her father and the loss of a pivotal friend and mentor. In exacting, distilled prose, her account blurs the lines between embodied, unconscious and everyday life.
With characteristic precision, humour and compassion, Nelson explores the limits of language to describe experience, while also offering a portrait of an unnerving and isolating time in our shared history. A stunning, original experiment in interiority by the adored author of Bluets and The Argonauts, Pathemata is a personal and poetic reckoning with pain and loss, both physical and emotional, as well as an uncanny meditation on love, affliction and resilience.
Milli trjánna
4.890 kr.Milli trjánna er safn 47 fjölbreyttra og meitlaðra smásagna. Bókin hefur hlotið einróma lof og færði höfundinum Bókmenntaverðlaun Norðurlandaráðs árið 2011. Í kjölfarið hafa verk hans verið þýdd og gefin út víða um lönd og njóta vaxandi vinsælda og virðingar. Þessi nýja útgáfa er hluti af heildarsafni verka Gyrðis.
Suðurglugginn
4.890 kr.Hér tekur Gyrðir upp þráðinn þar sem frá var horfið í Sandárbókinni og spinnur nýja frásögn um hlutskipti listamanns, í þetta sinn er það rithöfundur sem dvelur í sumarhúsi í grennd við lítið þorp og glímir við að skrifa skáldsögu, verk sem neitar stöðugt að taka á sig þá mynd sem höfundurinn leitast við að skapa. Þessi útgáfa er hluti af heildarsafni verka Gyrðis.
Ljóðasafn II – Gyrðir Elíasson
7.390 kr.Annað bindið af ljóðasafni Gyrðis geymir 3 bækur sem hafa verið ófáanlegar um áratuga skeið en eru nú saman komnar í einu lagi í vandaðri heildarútgáfu á verkum skáldsins. Hér birtast Tvö tungl, Vetraráform um sumarferðalag og Mold í Skuggadal. Ómissandi verk í safn allra bókaunnenda.
Eve’s Hollywood
3.990 kr.A legendary love letter to Los Angeles by the city’s most charming daughter, complete with portraits of rock stars at Chateau Marmont, surfers in Santa Monica, prostitutes on sunset, and Eve’s own beloved cat, Rosie.
Journalist, party girl, bookworm, artist, muse: by the time she’d hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha’s Five 1965 Girlfriends, Babitz’s first book showed her to be a razor-sharp writer with tales of her own. Eve’s Hollywood is an album of vivid snapshots of Southern California’s haute bohemians, of outrageously beautiful high-school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont. And though Babitz’s prose might appear careening, she’s in control as she takes us on a ride through an LA of perpetual delight, from a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a roller-skating hooker, to the Watts Towers. This “daughter of the wasteland” is here to show us that her city is no wasteland at all but a glowing landscape of swaying fruit trees and blooming bougainvillea, buffeted by earthquakes and the Santa Ana winds—and every bit as seductive as she is.
Slow Days, Fast Company
3.690 kr.No one burned hotter than Eve Babitz. Possessing skin that radiated “its own kind of moral laws,” spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and ’70s. One man proved elusive, however, and so Babitz did what she did best, she wrote him a book.
Slow Days, Fast Company is a full-fledged and full-bodied evocation of a bygone Southern California that far exceeds its mash-note premise. In ten sun-baked, Santa Ana wind–swept sketches, Babitz re-creates a Los Angeles of movie stars distraught over their success, socialites on three-day drug binges holed up in the Chateau Marmont, soap-opera actors worried that tomorrow’s script will kill them off, Italian femmes fatales even more fatal than Babitz.
And she even leaves LA now and then, spending an afternoon at the house of flawless Orange County suburbanites, a day among the grape pickers of the Central Valley, a weekend in Palm Springs where her dreams of romance fizzle and her only solace is Virginia Woolf. In the end it doesn’t matter if Babitz ever gets the guy—she seduces us.
The Galdrabók – Forbidden Icelandic Folk Magic
4.990 kr.„Write these letters on white vellum with your blood.“
Once forbidden by the church on penalty of severe punishment and even death, Iceland’s occult symbols have been subject to a remarkable transformation over the past few decades: They can now commonly be seen used as tattoos, in media such as video games, and even as components of business logos. Most books containing these symbols, known as grimoires, were confiscated and destroyed. However, a small number survived, most famously the Galdrabók. In this new and approachable edition of the Galdrabók, folklorist Kári Pálsson presents his original English translation and an edition of the grimoire’s original Icelandic text beside another grimoire never before published: the unique and quite mysterious Jarðskinna manuscript.
Guðrún Bergsdóttir – Hugarheimar / Inner Worlds
8.990 kr.Hugarheimar er bók um útsaumslistakonuna Guðrúnu Bergsdóttur. Guðrún var fædd árið 1970 og lést í janúar 2024. Hún var fædd með fötlun sem setti mark sitt á líf hennar en hindraði hana þó ekki í að gera einstök útsaumslistaverk þar sem flæða saman litir og form, sprottin úr hennar hugarheimi. Bókin inniheldur myndir af verkum Guðrúnar, auk greina um verk hennar og feril eftir Aðalstein Ingólfsson, Margréti M. Norðdahl og Eggert Pétursson. Harpa Björnsdóttir ritstýrði og Ármann Agnarsson hannaði.