Paris France
2.490 kr.All Frenchmen know you have to become civilised between eighteen and twenty-three and that civilisation comes upon you by contact with an older woman, by revolution, by army discipline, by any escape or any subjection, and then you are civilised and life goes on normally in a latin way.
Gertrude Stein’s Paris France, published in 1940 on the day Paris fell to Nazi Germany, is a witty account of Stein’s life in France, and the perfect introduction to her work.
A Dog’s Heart
2.490 kr.What would happen if a doctor implanted the pituitary gland and testicles of a man into the body of a stray dog? In Mikhail Bulgakov’s topsy-turvy world, the dog starts to walk on two legs, drink, smoke, thieve, chase women and recite every swear word in Russian. The perfect candidate for a government official, in other words. This rude, riotous send-up of the Soviet Union, banned immediately on publication, is satire red in tooth and claw.
If on a Winter’s Night a Traveller
3.490 kr.You go into a bookshop and buy If on a Winter’s Night a Traveller by Italo Calvino. You like it. But there is a printer’s error in your copy. You take it back to the shop and get a replacement. But the replacement seems to be a totally different story. You try to track down the original book you were reading but end up with a different narrative again. This remarkable novel leads you through many different books including a detective adventure, a romance, a satire, an erotic story, a diary and a quest. But the real hero of them all is you, the reader.
The Gender of Sound
2.990 kr.Human history is filled with unacceptable sounds: high-pitched voices, gossip, talkativeness, hysteria, wailing and ritual shouts. Who makes them? Those deviant from or deficient in the masculine ideal of self-control: women, catamites, eunuchs and androgynes all fall into this category.
From the myths of antiquity to Margaret Thatcher via Sigmund Freud and Gertrude Stein, The Gender of Sound charts the gendering of sound in Western culture. Carson invites us to listen again, and in doing so to reimagine our conceptions of human order, virtue and selfhood.
Putting a door on the female mouth has been an important project of patriarchal culture from antiquity to the present day. Its chief tactic is an ideological association of female sound with monstrosity, disorder and death.
