Poor Artists
3.690 kr.Why make art? Faced with a capitalist system that has turned art into artwork and creative expression into cut-throat competition, why do so many artists try anyway?In this eye-opening journey through the bizarre world of contemporary art, criticism duo The White Pube tell the story of art like never before.
Poor Artists follows aspiring artist Quest Talukdar through childhood obsessions, art school lessons and her professional debut. In surreal encounters with other artists, Quest learns profound truths about money and power, and must decide whether she cares more about success or staying true to herself.
Blending imaginative storytelling with dialogue from anonymized interviews with real people in the art world who have all had to wrestle with the same decisions – including a Turner Prize winner or two, a few ghosts, a Venice Biennale fraudster and a communist messiah – Poor Artists is a powerful testimony to the emotional, existential and financial experience of artists today.
In Writing
3.690 kr.In these intimate and frank conversations with some of our best-loved writers, Hattie Crisell uncovers the mysteries of the creative process, asking: Where do ideas come from? How do stories find their shape? What happens when confidence falters or the work fails – and what does success look like?
The answers range from the thought-provoking to the hilarious. Here we meet the novelist who makes a playlist for each manuscript; the screenwriter who considers swearing an art form; the author who prefers to work in near-darkness, and the confessional writer at risk of revealing too much. Taken as a whole, these inspiring interviews amount to an insider’s guide to the writing process: its disciplines and demands; its ecstasies and agonies; its coffees, word counts and publishing hurdles. Most of all, they reveal how it really feels to write and be read.
With contributions from James Acaster, André Aciman, Ayobami Adebayo, Rumaan Alam, Amer Anwar, Mona Arshi, Andrew Billen, Holly Bourne, Charlie Brooker, Wendy Cope, Cressida Cowell, John Crace, Elizabeth Day, Grace Dent, Kit de Waal, Geoff Dyer, Wendy Erskine, Tor Freeman, Will Harris, Anna Hope, John Lanchester, Sophie Mackintosh, Emily St. John Mandel, Meg Mason, Mhairi McFarlane, Liane Moriarty, David Nicholls, Mary Norris, Graham Norton, Maggie O’Farrell, Ruben Östlund, Robert Popper, Lucy Prebble, Georgia Pritchett, Kiley Reid, John Rentoul, Hugo Rifkind, Jon Ronson, Michael Rosen, Sathnam Sanghera, George Saunders, David Sedaris, Elif Shafak, Alexandra Shulman, Curtis Sittenfeld, Raven Smith, Will Storr, Brandon Taylor, Craig Taylor, Barbara Trapido, Emma Jane Unsworth, Robert Webb, Zoe Williams, Meg Wolitzer.
Stríðsárin 1938-1945
5.990 kr.Í þessu magnþrungna stórvirki er Ísland fært inn á landakort heimsstyrjaldarinnar síðari og sýnt hvernig það varð órofa hluti af hildarleiknum sem fram fór um víða veröld – og ekki síst á hafinu kringum landið. Grimmd, lífsþorsti, hetjudáðir og hryllingur stríðsátakanna er dreginn fram í fjölda frásagna, fréttaskeyta, leyniskjala, dagbóka og minningabrota, auk þess sem verkið geymir aragrúa ljósmynda, innlendra og erlendra, sem margar koma nú í fyrsta sinn fyrir almenningssjónir.
Páll Baldvin Baldvinsson, bókmenntafræðingur og menningarrýnir, hefur um árabil haft brennandi áhuga á þessu einstæða tímabili í sögu þjóðarinnar. Verkið er afrakstur gríðarlega umfangsmikillar vinnu hans við söfnun ljósmynda, endurminninga og annarra heimilda um stríðsárin.
Grænland og fólkið sem hvarf
6.390 kr.Hvað varð af norrænu byggðinni á Grænlandi sem hvarf með dularfullum hætti fyrir 500 árum? Hér er reynt að ráða gátuna auk þess sem rýnt er í sögu landsins frá komu danskra nýlenduherra, mikilla þjóðfélagsbreytinga á 20. öld og svo umsvifum Bandaríkjanna eftir síðari heimsstyrjöld og fram á okkar daga. Aðgengilegt sagnfræðirit og ferðasaga í bland.
Árið 1408 var brúðkaup haldið í Hvalseyjarkirkju á Grænlandi. Í kjölfarið héldu brúðhjónin til Íslands og hefur ekki spurst til byggðar norrænna manna á Grænlandi síðan. Þremur öldum síðar kom danski presturinn Hans Egede til landsins í leit að afkomendum norrænna manna. Þeir fundust ekki en Danir tryggðu sér yfirráð yfir eyjunni, sem með einhverjum hætti standa enn. En hvað varð af þessu samfélagi norrænna manna á Grænlandi sem hafði fyrirfundist í næstum 500 ár?
Sagnfræðingurinn Valur Gunnarsson veltir hér upp ráðgátunni um þetta dularfulla hvarf heillar siðmenningar. Sagt er frá byggð norrænna manna á miðöldum, allt frá Eiríki rauða til brúðkaupsins í Hvalseyjarkirkju. Einnig er saga landsins fram á okkar daga rakin. Grænland sem hluti af nýlenduveldi Dana, þjóðfélagsbreytingarnar miklu á 20. öld, umsvif Bandaríkjamanna sem hófust í síðari heimsstyrjöld og hin ýmsu hneykslismál sem hafa flækt samband Grænlands og Danmerkur undanfarið.
Valur dvaldi á Grænlandi og skoðaði þar fornminjar jafnt sem að taka heimamenn tali og dvaldi auk þess á hreindýrabúi um stund. Bókin er aðgengilegt sagnfræðirit og ferðasaga í bland eins og höfundar er von og vísa.
A Thousand Feasts
3.990 kr.For years, Nigel Slater has kept notebooks of curiosities and wonderings, penned while at his kitchen table, soaked in a fisherman’s hut in Reykjavik, sitting calmly in a moss garden in Japan or sheltering from a blizzard in a Vienna Konditorei.
These are the small moments, events and happenings that gave pleasure before they disappeared. Miso soup for breakfast, packing a suitcase for a trip and watching a butterfly settle on a carpet, hiding in plain sight. He gives short stories of feasts such as a mango eaten in monsoon rain or a dish of restorative macaroni cheese and homes in on the scent of freshly picked sweet peas and the sound of water breathing at night in Japan.
This funny and sharply observed collection of the good bits of life, often things that pass many of us by, is utter joy from beginning to end.
Galdrastafir – Historical Icelandic magic symbols
4.990 kr.In the 1800s and early 1900s, the tradition of Icelandic magical symbols (galdrastafir) was in decline. At the same time, these symbols, once forbidden upon penalty of death, became the subject of increased interest in the scholarly community. One such scholar was Jónas Jónasson, a priest, folklore collector, and antiquarian who collected and compiled historical Icelandic symbols before his death in 1918. His labors resulted in a manuscript he titled simply Galdrastafir. Now, for the first time, this lush and beautiful book translates and reproduces material and presents
Bring No Clothes: Bloomsbury and the Philosophy of Fashion
3.990 kr.Why do we wear what we wear? To answer this question, we must go back and unlock the wardrobes of the early twentieth century, when fashion as we know it was born. In Bring No Clothes, acclaimed fashion writer Charlie Porter brings us face to face with six members of the Bloomsbury Group-the collective of creatives and thinkers who were in the vanguard of a social and sartorial revolution. Each of them offers fresh insight into the constraints and possibilities of fashion today: from the stifling repression of E.M. Forster’s top buttons to the creativity of Vanessa Bell’s wayward hems; from the sheer pleasure of Ottoline Morrell’s lavish dresses to the clashing self-consciousness of Virginia Woolf’s orange stockings; from Duncan Grant’s liberated play with nudity to John Maynard Keynes’s power play in the traditional suit. As Porter carefully unpicks what they wore and how they wore it, we see how clothing can be a means of artistic, intellectual and sexual liberation, or, conversely, a tool for patriarchal control. As he travels through libraries, archives, attics and studios, Porter uncovers new evidence about his subjects, revealing them in a thrillingly intimate, vivid new light. And, as he begins making his own clothing, his own perspective on fashion-and on life-starts to change. In the end, he shows, we should all ‘bring no clothes’, embracing not just a new way with fashion but a new philosophy of living-one which activates the connections between the way we dress and the way we think, act and love.
Nýja stjórnarskráin
2.690 kr.Nýja Íslenska stjórnarskráin – 2. útgáfa.
Líkt og fram kemur í formála bókarinnar hefur viðleitni til stjórnarskrárbreytinga einkennst af því að sniðganga vilja kjósenda og þjóðaratkvæðagreiðsluna um nýja stjórnarskrá 2012.
Vigdís Finnbogadóttir, forseti Íslands 1980-1996, ritar formálsorð þessarar fallegu bókar, sem hefur að geyma nýju stjórnarskrána ásamt ítarlegum sögulegum inngangi eftir Þorvald Gylfason prófessor emerítus.
Nýja stjórnarskráin var samþykkt í þjóðaratkvæðagreiðslu 20. október 2012 af yfirgnæfandi meirihluta kjósenda.
Bókin lætur ekki mikið yfir sér en lýsir þó afreki þjóðar, afreki sem almenningur á Íslandi vann í kjölfar áfalls sem hann varð fyrir árið 2008. Það á vel við að gefa þessa bók, bæði sjálfum sér og öðrum.
On Writing
3.690 kr.Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King – with a new foreword, ON JOY, by Stephen King.
Part memoir, part masterclass by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the trade every writer must have.
King’s advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999 – and how the inextricable link between writing and living spurred his recovery.
Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it – fans, writers, and anyone who loves a great story well told.
Icelandic Pop: Then, Today, Tomorrow, Next Week
3.990 kr.Iceland punches well above its weight in the world of music, producing global icons like Björk, Sigur Rós, Of Monsters and Men, and Laufey, while at the same time nurturing a vibrant local scene. This book explores how Iceland’s unique social habits, institutions and everyday practices contribute to its thriving music culture. Tracing the development of Icelandic popular music since the rock ’n’ roll era, it examines key influences shaping the scene, from Reykjavík’s musicians to national institutions like radio and concert venues.
With engaging explanations of sociological factors, the book sheds light on why Iceland has become a powerhouse in music. An illuminating journey through Iceland’s music history, this is a celebration of the artistry and cultural forces behind its global impact.
The Word for World: The Maps of Ursula K. Le Guin
5.990 kr.When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own.
Le Guin’s maps offer journeys of consciousness beyond conventional cartography, from the Rorschach-like archipelagos of Earthsea to the talismanic maps of Always Coming Home. Rather than remaining within known terrain, they open up paradigms of knowledge, exemplified by the map’s edges and how a map is read, made and re-made, together. The Word for World brings her maps together with poems, stories, interviews, recipes and essays by contributors from a variety of perspectives to enquire into the relationship between worlds and the imagination and representation of them.
With contributions by Federico Campagna, Theo Downes-Le Guin, Daniel Heath Justice, Bhanu Kapil, Canisia Lubrin, Una McCormack, David Naimon, Nisha Ramayya, Shoshone Collective, Standard Deviation, Marilyn Strathern. Co-published by Spiral House and AA Publications to coincide with an exhibition of Ursula K. Le Guin’s maps at the Architectural Association, London, opening on 10 October 2025.
On Tyranny
3.490 kr.In the twentieth century, European democracies collapsed into fascism, Nazism and communism. These were movements in which a leader or a party claimed to give voice to the people, promised to protect them from global existential threats, and rejected reason in favour of myth. European history shows us that societies can break, democracies can fall, ethics can collapse, and ordinary people can find themselves in unimaginable circumstances.
Today, we are no wiser than the Europeans who saw democracy yield to totalitarianism in the twentieth century. But when the political order seems imperilled, our advantage is that we can learn from their experience to resist the advance of tyranny.