The World Goes On
3.690 kr.A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveller, reeling from the sights and sounds of Varanasi, encounters a giant of a man on the banks of the Ganges ranting on the nature of a single drop of water. A child labourer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils.
In The World Goes On , a narrator first speaks directly, tells twenty-one unforgettable stories, then bids farewell (‘ for here I would leave this earth and these stars, because I would take nothing with me ‘). As László Krasznahorkai himself explains: ‘Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative…’
Satantango
3.690 kr.In the darkening embers of a Communist utopia, life in a desolate Hungarian town has come to a virtual standstill. Flies buzz, spiders weave, water drips and animals root desultorily in the barnyard of a collective farm.
But when the charismatic Irimias – long-thought dead – returns, the villagers fall under his spell. Irimias sets about swindling the villagers out of a fortune that might allow them to escape the emptiness and futility of their existence. He soon attains a messianic aura as he plays on the fears of the townsfolk and a series of increasingly brutal events unfold.
The Last Wolf & Herman
3.490 kr.In The Last Wolf, a philosophy professor is mistakenly hired to write the true tale of the last wolf of Extremadura, a barren stretch of Spain. His miserable experience is narrated in a single, rolling sentence to a patently bored bartender in a dreary Berlin bar.
In Herman, a master trapper is asked to clear a forest’s last ‘noxious beasts.’ Herman begins with great zeal, although in time he switches sides, deciding to track entirely new game… In Herman II, the same events are related from the perspective of strange visitors to the region, a group of hyper-sexualised aristocrats who interrupt their orgies to pitch in with the manhunt of poor Herman…
These intense, perfect novellas, full of Krasznhorkai’s signature sense of foreboding and dark irony, are perfect examples of his craft.
The Other Girl
3.190 kr.One Sunday in Yvetot, August 1950. Annie is playing outside in the sun. Her mother steps out of the grocery to chat with a customer, a few metres from her. The two women’s conversation is perfectly audible; its scraps become etched forever in Annie’s memory. Before she was born, her parents had another daughter. She died at the age of six from diphtheria. Annie will never hear another word from her parents about this unknown sister, nor will she ask them a single question about her: their family unit has formed in the image of its vanished predecessor. In The Other Girl, brilliantly translated for the first time into English by Alison L. Strayer, Annie Ernaux explores the meaning of this family secret, and the insurmountable distance that separates the two sisters.
House of Day, House of Night
4.390 kr.A woman settles in a remote Polish village. It has few inhabitants, but it teems with the stories of its living and its dead. There’s the drunk Marek Marek, who discovers that he shares his body with a bird, and Franz Frost, whose nightmares come to him from a newly discovered planet. There’s the man whose death – with one leg on the Polish side, one on the Czech – was an international incident. And there are the Germans who still haunt a region that not long ago they called their own. From the founding of the town to the lives of its saints, these shards piece together not only a history but a cosmology. Another brilliant ‘constellation novel’ in the mode of her International Booker Prize-winning Flights, House of Day, House of Night is a brilliantly imaginative epic novel of a small place by Olga Tokarczuk, one of the most daring and ambitious novelists of our time.
Grasið syngur
1.990 kr.Grasið syngur er saga Mary, hvítrar konu í Rhódesíu, sem kveður tilbreytingarlaust líf í borginni og hafnar í gæfusnauðu hjónabandi með bónda nokkrum. Hún hefur andúð á lífinu í sveitinni og lítur niður á þá innfæddu. Af ofstækisfullri hörku snýst hún gegn svörtum þjóni sínum sem hún bæði laðast að og fyrirlítur, uns valdið snýst að lokum í höndum hennar.
Grasið syngur, fyrsta skáldsaga Doris Lessing, skapaði höfundi sínum skjóta frægð og hefur farið sigurför um allan heim. Grasið syngur vitnar um djúpan mannskilning og tilfinningahita þessa mikla rithöfundar. Doris Lessing lýsir sambandi hvítra og svartra af hreinskilni og vægðarleysi en einstæðri réttlætiskennd.
Heimur feigrar stéttar
1.290 kr.Sögusviðið er Suður-Afríka í ólgu sjötta og sjöunda áratugarins. Söguna segir Liz Van Den Sandt, hvít millistéttarkona. Fyrrum eiginmaður hennar, vanmáttugur og ráðvilltur uppreisnarmaður, hefur fyrirfarið sér. Liz verður hugsað til lífs þeirra saman og baráttu gegn aðskilnaðarstefnunni.
Hvernig er að vera hvít kona í Suður-Afríku á umbrotatímum sem ekki sér fyrir endann á? Er nóg að vilja vel? Er hægt að leiða kúgunina hjá sér? Verður sá sem tekur afstöðu einnig að hafa kjark til að gera eitthvað í málunum?
Þessi bók kemur við kvikuna í hinu margklofna þjóðfélagi Suður-Afríku frá sjónarmiði þess hluta hvíta forréttindahópsins sem finnur að samviskan er svört.
Ólöf Eldjárn þýddi.
