On Women
3.690 kr.For the most part written in the 1970s during the height of second-wave feminism, Sontag’s essays are strikingly relevant to our contemporary conversations. At times powerfully in sync and at others powerfully at odds with them, they are always characteristically original in their examinations of the ‘biological division of labour’, the double-standard for ageing and the dynamics of women’s powerlessness and women’s power.
As Merve Emre writes in her introduction, ‘They offer us the spectacle of a ferocious intellect setting itself to the task at hand: to articulate the politics and aesthetics of being a woman in the United States, the Americas and the world.’
Half His Age
4.990 kr.Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Hurting. Endlessly wanting. And the thing she wants most of all? Mr. Korgy, her creative writing teacher.
Mr Korgy, with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films that she doesn’t? Or are they actually kindred spirits, sharing the same filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does.
Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is an incisive study of a yearning seventeen-year-old who disregards all obstacles in her effort to be seen, to be desired and to be loved.
Half His Age (kilja)
4.390 kr.Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Hurting. Endlessly wanting. And the thing she wants most of all? Mr. Korgy, her creative writing teacher.
Mr Korgy, with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films that she doesn’t? Or are they actually kindred spirits, sharing the same filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does.
Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is an incisive study of a yearning seventeen-year-old who disregards all obstacles in her effort to be seen, to be desired and to be loved.
Glyph
5.690 kr.It all starts when Petra and her little sister Patch hear a horrifying story from the past and find themselves making up a ghost.
Is it imaginary? Is it real?Then it all starts again thirty years later when Petra, now estranged from Patch, finds a phantom horse kicking the furniture to pieces in her bedroom.
What to do? She phones her sister.In a chiaroscuro dance through our increasingly antagonistic era, Glyph asks if we’re attending to the history that’s made us and to the history we’re making. A funny, warm and clear-eyed take on where we are now, Glyph is about what our imaginations are for and how, in a broken, brutal and divided time, we rekindle care, solidarity, resistance and openness.
This anti-war novel, Ali Smith’s most soulful, playful and vital yet, is a work of lightness that goes deep to counter the forces currently flattening the modern world.
A standalone novel, it’s family to Gliff (2024).
The Correspondent
4.690 kr.In her letters to family and friends we come to know the life of Sybil Van Antwerp: stubborn, cantankerous, opinionated, always steadfast in her belief in the power of the written word.
But as the clock begins to tick for Sybil, the need for a few post-scripts to the life she’s led becomes apparent. Fixing her difficult relationship with her children. Taking a final chance at romance. Atoning for an old legal case which has come back to haunt her. And finally, reckoning with a devastating loss that she has spent the last thirty years holding close to her chest.
Facing the Bridge
3.990 kr.Amo, an African kidnapped to Europe as a boy, and Tamao, a Japanese exchange student in Germany, live in different countries but are being followed by the same shadow; Kazuko, a young professional tourist, is lured to Vietnam by a mysterious postcard; on the Canary Islands, a nameless translator battles a banana grove and a series of Saint Georges…
These three tales by master storyteller Yoko Tawada cross cultures and histories with a sensuous playfulness. In Facing the Bridge, obsession becomes delight as the reader is whisked into a world where identities flicker and shift in a never-ending balance.
Of Walking in Ice
3.490 kr.‘I set off on the most direct route to Paris, in full faith, believing that she would stay alive if I came on foot’
In November 1974, when Werner Herzog was told that his mentor Lotte Eisner, the film historian and critic, was dying in Paris, he set off to walk there from Munich, ‘in full faith, believing that she would stay alive if I came on foot’. Along the way he recorded what he saw, how he felt, and what he experienced, from the physical discomfort of the journey to moments of rapture. It is a remarkable narrative – part pilgrimage, part meditation, and a confrontation between a great German Romantic imagination and the contemporary world.
In Praise of Shadows
3.490 kr.Were it not for shadows there would be no beauty.
Nothing evokes the calm and nuance of the traditional Japanese aesthetic more profoundly than this book. Tanizaki’s eye ranges over architecture, jade, food, even toilets, examining the design and feel of the intimate places we inhabit. His acute sense of the use of space in buildings, his poetic descriptions of lacquerware under candlelight and his appreciation for natural materials suggest the possibility of a simpler, more beautiful life – one in which the softness of shadows is shielded from the dazzling light of modernity.
The Vegetarian
3.490 kr.A beautiful, unsettling novel in three acts, about rebellion and taboo, violence and eroticism, and the twisting metamorphosis of a soul. Winner of the 2016 Man Booker International PrizeHe is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more ‘plant-like’ existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye’s decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide and hospitalisation. She unknowingly captivates her sister’s husband, a video artist. She becomes the focus of his increasingly erotic and unhinged artworks, while spiralling further and further into her fantasies of abandoning her fleshly prison and becoming – impossibly, ecstatically – a tree. Fraught, disturbing and beautiful, The Vegetarian is a novel about modern day South Korea, but also a novel about shame, desire and our faltering attempts to understand others, from one imprisoned body to another.