Mammoth
3.990 kr.Mammoth’s protagonist is a disenchanted young lesbian. She’s inexperienced, irritated by life, eager to gestate, and determined to strip everything else down to essentials. She seduces men at random, swaps her urban habitat for an isolated farmhouse, befriends a shepherd, nurses lambs, battles stray cats, waits tables, cleans house, and dabbles in sex work – all in pursuit of life in the raw.
This small bomb of a novel, not remotely pastoral, builds to a howling crescendo of social despair, leaving us at the mercy of Eva Baltasar’s wild voice.
Intermezzo
3.490 kr.Peter is a Dublin lawyer in his thirties – successful, competent and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women – his enduring first love Sylvia, and Naomi, a college student for whom life is one long joke.
Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.
For two grieving brothers and the people they love, this is a new interlude – a period of desire, despair and possibility – a chance to find out how much one life might hold inside itself without breaking.
Like Love: Essays and Conversations
3.690 kr.Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson’s brilliant work. These profiles, reviews, remembrances, tributes and critical essays, as well as several conversations with friends and idols, bring to life Nelson’s passion for dialogue and dissent. The range of subjects is wide – from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker – but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression and perversity; the roles of the critic and language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.
Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson’s own development and a testament to the profound sustenance offered by art and artists.
The Possession
3.190 kr.‘The strangest thing about jealousy is that it can populate an entire city – the whole world – with a person you may never have met.’ These words set the framework for The Possession, a striking portrait of a woman after a love affair has ended. Annie Ernaux pulls the reader through every step of jealousy, of a woman’s need to know who has replaced her in a lost beloved’s life. Ernaux’s writing, characteristically gorgeous in its precision, depicts the all too familiar human tendency to seek control and certainty after rejection.
The Wall
3.490 kr.A woman takes a holiday in the Austrian mountains, spending a few days with her cousin and his wife in their hunting lodge. When the couple fails to return from a walk, the woman sets off to look for them. But her journey reaches a sinister and inexplicable dead end. She discovers only a transparent wall behind which there seems to be no life. Trapped alone behind the mysterious wall she begins the arduous work of survival.
This is at once a simple account of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the use of one’s name, and simultaneously a disturbing dissection of the place of human beings in the natural world.
Family Happiness
2.490 kr.‘I’m not the sort of husband you dream of when you’re walking alone along the avenue in the evening, am I? And it would be a disaster, wouldn’t it?’ How does love die? This question lies at the heart of Tolstoy’s desperately sad novella. It tells the story of seventeen-year-old Masha who, despite their differences, falls passionately in love with an older man, and marries him. Soon, however, the gap between them becomes unbridgeable.
Stan the Killer
2.490 kr.‘Maigret moved slowly, edging his bulky frame through the throng in Rue Saint-Antoine, which burst into life every morning, the sunshine streaming down from a clear sky on to the little barrows piled high with fruit and vegetables.’ In these three tales of deception, set in and around Paris, Simenon’s celebrated detective uncovers chilling truths about the depths of the human instinct for self-preservation.
Beauty
2.490 kr.‘People should fall in love with their eyes closed. Just close your eyes. Don’t look.’From Warhol’s romantic relationships to his thoughts on interior design, these candid, highly entertaining musings – on love, sex, beauty, work and space – give an intimate glimpse into the mind of one of the most iconic figures in twentieth-century culture.
The Lady Bandit
2.490 kr.Priests with shotguns, scheming lovers and a necrophiliac gravedigger haunt the fables of Emilia Pardo Bazán, the formidable Spanish aristocrat, intellectual and feminist. These stories paint a rich and variegated image of Old Spain – sometimes tender, often provocative, always entertaining. But if you decide to visit, beware the Lady Bandit, whose strong, rough hands might grab your neck, and squeeze and squeeze and squeeze .