• Lázár

    Lázár

    Nelio Biedermann

    The Lazars have ruled their Hungarian lands for generations.

    In their ancient castle by the edge of a forest that compels all who enter it to madness, they succumb to every vice and live only to satiate their desires. But the old order is crumbling, and the days of the Habsburg Monarchy are numbered. When Lajos von Lazar inherits, they at last have a baron who can reignite the old splendours, but not even his abilities are proof against the ravages of war and occupation.

    It will fall to his children – a boy who talks to shadows and a girl who eschews her blue blood – to find a way to stand against oppression and take the first faltering steps towards freedom.

    A sweeping epic, taking the reader from the beginning of the twentieth century to the Hungarian National Uprising of 1956, Lazar would be a phenomenal achievement for a writer of any age. With its air of timeless wisdom, it reads like rediscovered classic, making it all the more remarkable that it was written when the author was just twenty-one years old.

    Translated from the German by Jamie Bulloch

    4.690 kr.
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  • On the Calculation of Volume IV

    On the Calculation of Volume IV

    Solvej Balle

    It feels as though we have each been walking along our own path in the same forest. And now, we have found our way to a clearing and suddenly we see that we share not only the clearing but the forest too. You think it begins when you meet, but in fact, our stories were already entwined.

    3.990 kr.
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  • We Do Not Part

    We Do Not Part

    Han Kang

    Beginning one morning in December, We Do Not Part traces the path of Kyungha as she travels from the city of Seoul into the forests of Jeju Island, to the home of her old friend Inseon. Hospitalized following an accident, Inseon has begged Kyungha to hasten there to feed her beloved pet bird, who will otherwise die.

    Kyungha takes the first plane to Jeju, but a snowstorm hits the island the moment she arrives, plunging her into a world of white. Beset by icy wind and snow squalls, she wonders if she will arrive in time to save the bird – or even survive the terrible cold which envelops her with every step. As night falls, she struggles her way to Inseon’s house, unaware as yet of the descent into darkness which awaits her.

    There, the long-buried story of Inseon’s family surges into light, in dreams and memories passed from mother to daughter, and in a painstakingly assembled archive documenting a terrible massacre on the island seventy years before.

    We Do Not Part is a hymn to friendship, a eulogy to the imagination and above all an indictment against forgetting.

    3.490 kr.
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  • The Correspondent

    The Correspondent

    Virginia Evans

    In her letters to family and friends we come to know the life of Sybil Van Antwerp: stubborn, cantankerous, opinionated, always steadfast in her belief in the power of the written word.

    But as the clock begins to tick for Sybil, the need for a few post-scripts to the life she’s led becomes apparent. Fixing her difficult relationship with her children. Taking a final chance at romance. Atoning for an old legal case which has come back to haunt her. And finally, reckoning with a devastating loss that she has spent the last thirty years holding close to her chest.

    4.990 kr.
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  • Famesick

    Famesick

    Lena Dunham

    In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain.

    For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, ‘like towing a wrecked car across town at midnight.’ It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you – as a twenty-five-year-old – are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it – even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her – because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again – if only she could remember who that self was.

    As Dunham takes us through her journey, tracking her rise to fame – from selling the pilot of Girls to the present – in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain – and begins to control your every move – being famous doesn’t stand a chance against the darker corners of the human experience.

    In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

    5.490 kr.
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