
The Galdrabók – Forbidden Icelandic Folk Magic
4.990 kr.„Write these letters on white vellum with your blood.“
Once forbidden by the church on penalty of severe punishment and even death, Iceland’s occult symbols have been subject to a remarkable transformation over the past few decades: They can now commonly be seen used as tattoos, in media such as video games, and even as components of business logos. Most books containing these symbols, known as grimoires, were confiscated and destroyed. However, a small number survived, most famously the Galdrabók. In this new and approachable edition of the Galdrabók, folklorist Kári Pálsson presents his original English translation and an edition of the grimoire’s original Icelandic text beside another grimoire never before published: the unique and quite mysterious Jarðskinna manuscript.

Guðrún Bergsdóttir – Hugarheimar / Inner Worlds
8.990 kr.Hugarheimar er bók um útsaumslistakonuna Guðrúnu Bergsdóttur. Guðrún var fædd árið 1970 og lést í janúar 2024. Hún var fædd með fötlun sem setti mark sitt á líf hennar en hindraði hana þó ekki í að gera einstök útsaumslistaverk þar sem flæða saman litir og form, sprottin úr hennar hugarheimi. Bókin inniheldur myndir af verkum Guðrúnar, auk greina um verk hennar og feril eftir Aðalstein Ingólfsson, Margréti M. Norðdahl og Eggert Pétursson. Harpa Björnsdóttir ritstýrði og Ármann Agnarsson hannaði.


Here is Iceland!
4.590 kr.Every spring, over fifty species of migratory birds come to Iceland and lay their eggs in the mild and bright Arctic summer. In the winter snow covers the ground and Northern Lights light up the sky. In Here is Iceland you can read all about this volcanic island: its birds and mammals, mountains and shores, hot springs and geysers, people and culture – through spring, summer, fall and winter.
Here is Iceland! by Margrét Tryggvadóttir and Linda Ólafsdóttir was welcomed by Icelandic readers of all ages. The book was nominated for the Icelandic Literary Award and received the Women’s Literary Award, the Reykjavík City Literary Award for illustrations, and the award of the Association of Icelandic Graphic Designers.

In the Margins: On the Pleasures of Reading and Writing
4.390 kr.From the internationally acclaimed author of My Brilliant Friend, The Lying Life of Adults, and The Lost Daughter, come four revelatory pieces offering rare insight into the author’s formation as a writer and life as a reader. Ferrante warns us of the perils of “bad language”―historically alien to the truth of women―and advocates for a collective fusion of female talent as she brilliantly discourses on the work of her most beloved authors. A delightful collection of essays exploring reading and writing from the internationally acclaimed author of My Brilliant Friend and The Lying Life of Adults.
Ferrante’s writing has been described as compulsive (The Times) and astonishing (Guardian), her novels have sold millions and been translated into many languages as well as adapted for TV internationally.


A Winter Book: Selected Stories
3.690 kr.Following the widely acclaimed and bestselling The Summer Book, here is A Winter Book collection of some of Tove Jansson’s best loved and most famous stories. Drawn from youth and older age, and spanning most of the twentieth century, this newly translated selection provides a thrilling showcase of the great Finnish writer’s prose, scattered with insights and home truths. It has been selected and is introduced by Ali Smith.
A Winter Book features 13 stories from Tove Jansson’s first book for adults, The Sculptor’s Daughter (1968) plus seven of her most cherished later stories (from 1971 to 1996), translated into English and published here for the first time.
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On the Calculation of Volume II
3.990 kr.Tara Selter is searching for a way back into time. Tara has been stuck in the 18th of November for over a year’s worth of days. She still wakes up to the same newspapers, and the same blank faces when she explains that she has seen this all before.
Until one morning, she boards a train and finds herself in a new day. It is still the eighteenth of November, but the faces are different, the weather is colder. She realises that she has found a way out of her endless autumn.
By moving across Europe rather than through time, she can collect the ingredients for the seasons: the thin film of ice on puddles, the fresh spring breeze, the blazing summer sun. As she travels, she begins to hope for a new future, one that will run in parallel to the eighteenth of November, one that she must build for herself.

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