The Gender of Sound
2.990 kr.Human history is filled with unacceptable sounds: high-pitched voices, gossip, talkativeness, hysteria, wailing and ritual shouts. Who makes them? Those deviant from or deficient in the masculine ideal of self-control: women, catamites, eunuchs and androgynes all fall into this category.
From the myths of antiquity to Margaret Thatcher via Sigmund Freud and Gertrude Stein, The Gender of Sound charts the gendering of sound in Western culture. Carson invites us to listen again, and in doing so to reimagine our conceptions of human order, virtue and selfhood.
Putting a door on the female mouth has been an important project of patriarchal culture from antiquity to the present day. Its chief tactic is an ideological association of female sound with monstrosity, disorder and death.
Pathemata: Or, The Story of My Mouth
3.990 kr.It’s not the dream that matters, it’s the telling of the dream – the words you choose, the risks you take in externalising your mind
This is a dreamlike portrait of a body in struggle to connect with itself and others. As the narrator contends with chronic pain, and with a pandemic raging in the background, she sets out to examine the literal and symbolic role of the mouth in the life of a writer.
Merging dreams and dailies, Pathemata recounts the narrator’s tragicomic search to alleviate her suffering, a search that eventually becomes a reckoning with various forms of loss – the loss of intimacy, the loss of her father and the loss of a pivotal friend and mentor. In exacting, distilled prose, her account blurs the lines between embodied, unconscious and everyday life.
With characteristic precision, humour and compassion, Nelson explores the limits of language to describe experience, while also offering a portrait of an unnerving and isolating time in our shared history. A stunning, original experiment in interiority by the adored author of Bluets and The Argonauts, Pathemata is a personal and poetic reckoning with pain and loss, both physical and emotional, as well as an uncanny meditation on love, affliction and resilience.
Eve’s Hollywood
3.990 kr.A legendary love letter to Los Angeles by the city’s most charming daughter, complete with portraits of rock stars at Chateau Marmont, surfers in Santa Monica, prostitutes on sunset, and Eve’s own beloved cat, Rosie.
Journalist, party girl, bookworm, artist, muse: by the time she’d hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha’s Five 1965 Girlfriends, Babitz’s first book showed her to be a razor-sharp writer with tales of her own. Eve’s Hollywood is an album of vivid snapshots of Southern California’s haute bohemians, of outrageously beautiful high-school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont. And though Babitz’s prose might appear careening, she’s in control as she takes us on a ride through an LA of perpetual delight, from a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a roller-skating hooker, to the Watts Towers. This “daughter of the wasteland” is here to show us that her city is no wasteland at all but a glowing landscape of swaying fruit trees and blooming bougainvillea, buffeted by earthquakes and the Santa Ana winds—and every bit as seductive as she is.
Slow Days, Fast Company
3.690 kr.No one burned hotter than Eve Babitz. Possessing skin that radiated “its own kind of moral laws,” spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and ’70s. One man proved elusive, however, and so Babitz did what she did best, she wrote him a book.
Slow Days, Fast Company is a full-fledged and full-bodied evocation of a bygone Southern California that far exceeds its mash-note premise. In ten sun-baked, Santa Ana wind–swept sketches, Babitz re-creates a Los Angeles of movie stars distraught over their success, socialites on three-day drug binges holed up in the Chateau Marmont, soap-opera actors worried that tomorrow’s script will kill them off, Italian femmes fatales even more fatal than Babitz.
And she even leaves LA now and then, spending an afternoon at the house of flawless Orange County suburbanites, a day among the grape pickers of the Central Valley, a weekend in Palm Springs where her dreams of romance fizzle and her only solace is Virginia Woolf. In the end it doesn’t matter if Babitz ever gets the guy—she seduces us.
The Galdrabók – Forbidden Icelandic Folk Magic
4.990 kr.„Write these letters on white vellum with your blood.“
Once forbidden by the church on penalty of severe punishment and even death, Iceland’s occult symbols have been subject to a remarkable transformation over the past few decades: They can now commonly be seen used as tattoos, in media such as video games, and even as components of business logos. Most books containing these symbols, known as grimoires, were confiscated and destroyed. However, a small number survived, most famously the Galdrabók. In this new and approachable edition of the Galdrabók, folklorist Kári Pálsson presents his original English translation and an edition of the grimoire’s original Icelandic text beside another grimoire never before published: the unique and quite mysterious Jarðskinna manuscript.
Guðrún Bergsdóttir – Hugarheimar / Inner Worlds
8.990 kr.Hugarheimar er bók um útsaumslistakonuna Guðrúnu Bergsdóttur. Guðrún var fædd árið 1970 og lést í janúar 2024. Hún var fædd með fötlun sem setti mark sitt á líf hennar en hindraði hana þó ekki í að gera einstök útsaumslistaverk þar sem flæða saman litir og form, sprottin úr hennar hugarheimi. Bókin inniheldur myndir af verkum Guðrúnar, auk greina um verk hennar og feril eftir Aðalstein Ingólfsson, Margréti M. Norðdahl og Eggert Pétursson. Harpa Björnsdóttir ritstýrði og Ármann Agnarsson hannaði.
Here is Iceland!
4.590 kr.Every spring, over fifty species of migratory birds come to Iceland and lay their eggs in the mild and bright Arctic summer. In the winter snow covers the ground and Northern Lights light up the sky. In Here is Iceland you can read all about this volcanic island: its birds and mammals, mountains and shores, hot springs and geysers, people and culture – through spring, summer, fall and winter.
Here is Iceland! by Margrét Tryggvadóttir and Linda Ólafsdóttir was welcomed by Icelandic readers of all ages. The book was nominated for the Icelandic Literary Award and received the Women’s Literary Award, the Reykjavík City Literary Award for illustrations, and the award of the Association of Icelandic Graphic Designers.
In the Margins: On the Pleasures of Reading and Writing
4.390 kr.From the internationally acclaimed author of My Brilliant Friend, The Lying Life of Adults, and The Lost Daughter, come four revelatory pieces offering rare insight into the author’s formation as a writer and life as a reader. Ferrante warns us of the perils of “bad language”―historically alien to the truth of women―and advocates for a collective fusion of female talent as she brilliantly discourses on the work of her most beloved authors. A delightful collection of essays exploring reading and writing from the internationally acclaimed author of My Brilliant Friend and The Lying Life of Adults.
Ferrante’s writing has been described as compulsive (The Times) and astonishing (Guardian), her novels have sold millions and been translated into many languages as well as adapted for TV internationally.
Questions of Travel: William Morris in Iceland
3.490 kr.Morris’s intimate journals, written for a friend, unconsciously explore questions of travel, noting his reaction to the idea of leaving or arriving, to hurry and delay, what it means to dread a place you’ve never been to or to encounter the actuality of a long-held vision.
Poet Lavinia Greenlaw draws out these questions as she follows in the footprints of Morris’s prose, responding to its surfaces and undercurrents, extending its horizons. The result is a new and composite work, which brilliantly explores our conflicted reasons for not staying at home.
A Winter Book: Selected Stories
3.690 kr.Following the widely acclaimed and bestselling The Summer Book, here is A Winter Book collection of some of Tove Jansson’s best loved and most famous stories. Drawn from youth and older age, and spanning most of the twentieth century, this newly translated selection provides a thrilling showcase of the great Finnish writer’s prose, scattered with insights and home truths. It has been selected and is introduced by Ali Smith.
A Winter Book features 13 stories from Tove Jansson’s first book for adults, The Sculptor’s Daughter (1968) plus seven of her most cherished later stories (from 1971 to 1996), translated into English and published here for the first time.
On the Calculation of Volume II
3.990 kr.Tara Selter is searching for a way back into time. Tara has been stuck in the 18th of November for over a year’s worth of days. She still wakes up to the same newspapers, and the same blank faces when she explains that she has seen this all before.
Until one morning, she boards a train and finds herself in a new day. It is still the eighteenth of November, but the faces are different, the weather is colder. She realises that she has found a way out of her endless autumn.
By moving across Europe rather than through time, she can collect the ingredients for the seasons: the thin film of ice on puddles, the fresh spring breeze, the blazing summer sun. As she travels, she begins to hope for a new future, one that will run in parallel to the eighteenth of November, one that she must build for herself.
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One Day, Everyone Will Have Always Been Against This
4.690 kr.One Day, Everyone Will Have Always Been Against This is an urgent and necessary reckoning about what it means to live in the West today. As an immigrant, Omar El Akkad believed the West offered freedom and justice for all. Over the past twenty years he reported on the various Wars on Terror, Ferguson, climate change, Black Lives Matter protests, and more.
He won awards for his journalism and his fiction. But now, watching the unmitigated slaughter in Gaza, he comes to the conclusion that much of what the West promises is a lie. This powerful book is a chronicle of Omar’s painful realisation, a moral grappling with what it means – as a citizen, as a father – to carve out some sense of possibility during these devastating times.
This is a book for those that have tired of moral emptiness. This is a book for everyone who wants something better.