Spadework for a Palace
4.390 kr.Spadework for a Palace bears the subtitle “Entering the Madness of Others” and offers an epigraph: “Reality is no obstacle.” Indeed. This high-octane obsessive rant vaults over all obstacles, fueled by the idées fixe of a “gray little librarian” with fallen arches whose name—mr herman melvill—is merely one of the coincidences binding him to his lodestar Herman Melville (“I too resided on East 26th Street . . . I, too, had worked for a while at the Customs Office”), which itself is just one aspect of his also being “constantly conscious of his connectedness” to Lebbeus Woods, to the rock that is Manhattan, to the “drunkard Lowry” and his Lunar Caustic, to Bartok. And with this consciousness of connection he is not only gaining true knowledge of Melville, but also tracing the paths to “a Serene Paradise of Knowledge.” Driven to save that Palace (a higher library he also serves), he loses his job and his wife leaves him, but “people must be told the truth: there is no dualism in existence.” And his dream will be “realized, for I am not giving up: I am merely a day-laborer, a spade-worker on this dream, a herman melvill, a librarian from the lending desk, currently an inmate at Bellevue, but at the same time—may I say this?—actually a Keeper of the Palace.”
Síðasti úlfurinn
3.590 kr.Síðasti úlfurinn er afar sértök frásögn, rakin af mælskum sögumanni sem staddur er á krá í Berlín og eini hlustandinn er fremur áhugalítill barþjónn. Í ljós kemur að hann hefur (fyrir mistök eða gráglettni örlaganna) verið ráðinn til að skrifa skýrslu um síðasta úlfinn í hinu hrjóstruga Extremadura-héraði á Spáni. Frásögnin – skráð í einni setningu – fer fram og til baka í tíma og rúmi, þannig að lesandinn verður að hafa sig allan við til að missa ekki af neinu.
Ungverski verðlaunahöfundurinn László Krasznahorkai er mörgum Íslendingum að góðu kunnur fyrir samstarf sitt við kvikmyndaleikstjórann Béla Tarr, en myndirnar Sátántangó og Werckmeister harmóniák eftir bókum hans teljast til meistaraverka kvikmyndalistarinnar.
The World Goes On
3.690 kr.A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveller, reeling from the sights and sounds of Varanasi, encounters a giant of a man on the banks of the Ganges ranting on the nature of a single drop of water. A child labourer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils.
In The World Goes On , a narrator first speaks directly, tells twenty-one unforgettable stories, then bids farewell (‘ for here I would leave this earth and these stars, because I would take nothing with me ‘). As László Krasznahorkai himself explains: ‘Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative…’
Satantango
3.690 kr.In the darkening embers of a Communist utopia, life in a desolate Hungarian town has come to a virtual standstill. Flies buzz, spiders weave, water drips and animals root desultorily in the barnyard of a collective farm.
But when the charismatic Irimias – long-thought dead – returns, the villagers fall under his spell. Irimias sets about swindling the villagers out of a fortune that might allow them to escape the emptiness and futility of their existence. He soon attains a messianic aura as he plays on the fears of the townsfolk and a series of increasingly brutal events unfold.
The Last Wolf & Herman
3.490 kr.In The Last Wolf, a philosophy professor is mistakenly hired to write the true tale of the last wolf of Extremadura, a barren stretch of Spain. His miserable experience is narrated in a single, rolling sentence to a patently bored bartender in a dreary Berlin bar.
In Herman, a master trapper is asked to clear a forest’s last ‘noxious beasts.’ Herman begins with great zeal, although in time he switches sides, deciding to track entirely new game… In Herman II, the same events are related from the perspective of strange visitors to the region, a group of hyper-sexualised aristocrats who interrupt their orgies to pitch in with the manhunt of poor Herman…
These intense, perfect novellas, full of Krasznhorkai’s signature sense of foreboding and dark irony, are perfect examples of his craft.
