Chromorama
4.690 kr.Have you ever wondered why so many pencils are yellow? Why black is the colour of mourning? Or why carrots are orange?
In Chromorama, acclaimed graphic designer Riccardo Falcinelli delves deep into the history of colour to show how it has shaped the modern gaze. With over four hundred illustrations throughout and with examples ranging widely across art and culture – from Flaubert’s novels to The Simpsons, from Byzantine jewellery to misshapen fruit, from the black lines of Mondrian to the thrillers of Hitchcock – Falcinelli traces the evolution of our long relationship with colour, and how first the industrial revolution, and then the dawn of the internet age, changed it forever.
Beautiful, warm and wise, taking in the lives of philosophers, entrepreneurs, designers, astrologists, shop assistants and pastry chefs, Chromoroma is an engrossing account of shade and light, of tone and hue, of dyes, pigments, and pixels. It is the story of why we now see the world the way we do.
Love In Exile
3.990 kr.Shon Faye grew up quietly obsessed with the feeling that love was not for her. Not just romantic love: the secret fear of her own unworthiness penetrated every aspect and corner of her life. It was a fear that would erupt in destructive, counterfeit versions of the real love she craved: addictions and short-lived romances that were either euphoric and fantastical, or excruciatingly painful and unhinged, often both. Faye’s experience of the world as a trans woman, who grew up visibly queer, exacerbated her fears. But, as she confronted her damaging ideas about love and lovelessness, she came to realize that this sense of exclusion is symptomatic of a much larger problem in our culture.
Love, she argues, is as much a collective question as a personal one. Yet our collective ideals of love have developed in a society which is itself profoundly sick and loveless; in which consumer capitalism sells us ever new, engrossing fantasies of becoming more loved or lovable. In this highly politicized terrain, boundaries are purposefully drawn to keep some in and to keep others out. Those who exist outside them are ignored, denigrated, exiled.
In Love in Exile, Shon Faye shows love is much greater than the narrow ideals we have been taught to crave so desperately that we are willing to bend and break ourselves to fit them. Wise, funny, unsparing, and suffused with a radical clarity, this is a book of and for our times: for seeing and knowing love, in whatever form it takes, is the meaning of life itself.
On Women
3.690 kr.For the most part written in the 1970s during the height of second-wave feminism, Sontag’s essays are strikingly relevant to our contemporary conversations. At times powerfully in sync and at others powerfully at odds with them, they are always characteristically original in their examinations of the ‘biological division of labour’, the double-standard for ageing and the dynamics of women’s powerlessness and women’s power.
As Merve Emre writes in her introduction, ‘They offer us the spectacle of a ferocious intellect setting itself to the task at hand: to articulate the politics and aesthetics of being a woman in the United States, the Americas and the world.’
The Mysterious Case of the Missing Crime Writer
4.390 kr.One winter evening bestselling crime author, Elín S. Jónsdóttir goes missing.
There are no clues to her disappearance and it is up to young detective, Helgi, to crack the case before it’s leaked to the press.
As he interviews the people closest to her – a publisher, an accountant, a retired judge – he realises that Elín’s life wasn’t what it seemed. In fact, her past is even stranger than her stories.
As the case of the missing crime writer becomes more mysterious by the hour, Helgi must uncover the secrets of a very unexpected life . . .
Disappoint Me
3.490 kr.Max didn’t mean to fall for Vincent – a corporate lawyer and hobby baker whose trad friendship group are a world away from her life as a trans woman. But after years of bad dates and dysphoria he’s a breath of fresh air. Their connection seems genuine, his care feels real.
But Vincent is carrying his own baggage. On his gap year in Thailand a decade prior, he vies for the attention of a gorgeous traveller, Alex, with secrets of her own. Is Vincent really the new face of the Enlightened Man, or will the ghosts of his past sabotage his and Max’s happiness?
Disappoint Me is an incisive reckoning with forgiveness and the complexity of modern relationships, told with Nicola Dinan’s trademark wit and heart.
When the Cranes Fly South
3.490 kr.Bo lives a quiet existence in his small rural village in the north of Sweden. He is elderly and his days are punctuated by visits from his care team and his son.
Fortunately, he still has his rich memories, phone calls with his best friend Ture, and his beloved dog Sixten for company. Only now his son is insisting the dog must be taken away. The very same son that Bo is wanting to mend his relationship with before his time is up. The threat of losing Sixten stirs up a whirlwind of emotions and makes Bo determined to resist and find his voice.
When the Cranes Fly South is a profoundly moving and life-affirming novel about one man’s desire to preserve his autonomy, the multitude of stories contained within a life, and the big things for which we have no words.
The Little Prince
4.690 kr.The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a little prince, who asks him to draw a sheep. “In the face of an overpowering mystery, you don’t dare disobey,” the narrator recalls.
“Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket.” And so begins their dialogue, which stretches the narrator’s imagination in all sorts of surprising, childlike directions.
Pride and Prejudice
3.190 kr.No sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes …’When Elizabeth Bennet first meets eligible bachelor Fitzwilliam Darcy, she thinks him arrogant and conceited; he is indifferent to her good looks and lively mind. When she later discovers that Darcy has involved himself in the troubled relationship between his friend Bingley and her beloved sister Jane, she is determined to dislike him more than ever. In the sparkling comedy of manners that follows, Jane Austen shows the folly of judging by first impressions and superbly evokes the friendships, gossip and snobberies of provincial middle-class life.
Bring No Clothes: Bloomsbury and the Philosophy of Fashion
3.990 kr.Why do we wear what we wear? To answer this question, we must go back and unlock the wardrobes of the early twentieth century, when fashion as we know it was born. In Bring No Clothes, acclaimed fashion writer Charlie Porter brings us face to face with six members of the Bloomsbury Group-the collective of creatives and thinkers who were in the vanguard of a social and sartorial revolution. Each of them offers fresh insight into the constraints and possibilities of fashion today: from the stifling repression of E.M. Forster’s top buttons to the creativity of Vanessa Bell’s wayward hems; from the sheer pleasure of Ottoline Morrell’s lavish dresses to the clashing self-consciousness of Virginia Woolf’s orange stockings; from Duncan Grant’s liberated play with nudity to John Maynard Keynes’s power play in the traditional suit. As Porter carefully unpicks what they wore and how they wore it, we see how clothing can be a means of artistic, intellectual and sexual liberation, or, conversely, a tool for patriarchal control. As he travels through libraries, archives, attics and studios, Porter uncovers new evidence about his subjects, revealing them in a thrillingly intimate, vivid new light. And, as he begins making his own clothing, his own perspective on fashion-and on life-starts to change. In the end, he shows, we should all ‘bring no clothes’, embracing not just a new way with fashion but a new philosophy of living-one which activates the connections between the way we dress and the way we think, act and love.