John and Paul: A Love Story in Songs
3.990 kr.At the centre of The Beatles was the volatile, madly creative chemistry between John Lennon and Paul McCartney. This is the story of how two young men merged their souls and multiplied their talents to produce one of the greatest bodies of music in history. It is also a love story, full of longing, laughter, pain and joy.
The Bell Jar
3.490 kr.Sylvia Plath is a major cultural icon who continues to inspire new generations of female readers. The Bell Jar is one of the defining novels of the 20th century.
I was supposed to be having the time of my life . . .Working as an intern for a New York fashion magazine in the summer of 1953, Esther Greenwood is on the brink of her future. Yet she is also on the edge of a darkness that makes her world increasingly unreal. Esther’s vision of the world shimmers and shifts: day-to-day living in the sultry city, her crazed men-friends, the hot dinner dances . . .
The Bell Jar, Sylvia Plath’s only novel, is partially based on Plath’s own life. It has been celebrated for its darkly funny and razor sharp portrait of 1950s society, and has sold millions of copies worldwide.
Lord of the Flies
3.490 kr.A plane crashes on a desert island. The only survivors are a group of schoolboys. By day, they explore the dazzling beaches, gorging fruit, seeking shelter, and ripping off their uniforms to swim in the lagoon. At night, in the darkness of the jungle, they are haunted by nightmares of a primitive beast.
Orphaned by society, they must forge their own; but it isn’t long before their innocent games devolve into something far more dangerous . . .
The Faber Book of Science
990 kr.The Faber Book of Science, edited by John Carey, charts the progress of science through its luminaries and heroes, from Leonardo da Vinci to Richard Dawkins, via Charles Darwin, T. H. Huxley, Jean Henri Fabre and many, many others.
Feeding the Monster: Why horror has a hold on us
3.690 kr.Zombies want brains. Vampires want blood. Cannibals want human flesh.
All monsters need feeding. Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets and countless other horror films and TV series over the last few years, loving the genre still prompts the question: what’s wrong with you? Implying, of course, that there is something not quite right about the people who make and consume it.
In Feeding the Monster, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.
On the Calculation of Volume III
3.990 kr.Tara Selter is no longer alone. Tara Selter has lived the eighteenth of November 1,143 times when she notices a break in the pattern: a man has changed his shirt. The man is Henry Dale, and he remembers all the days that have come before.He knows that time has fallen out of joint. Now they are two of a kind – trapped in the eighteenth of November, but no longer alone.
Together they learn to share their present; their voices grow hoarse recounting their small battles against it and their bewilderment at the disintegrating world. Henry sees things differently to Tara: he does not think that time will put itself back together and he does not think that the future will come around. But he makes her realise that she is no longer the same person she was before this fault in time. And he makes her believe that there may be others to find within it.
Ariel
3.990 kr.‘The world is blood-hot and personal’: in her moving and illuminating introduction, the poet Emily Berry remembers her own teenage encounters with Ariel and offers a personal way into this definitive collection. She shows us how Plath can crystallize our most volatile emotions, transforming them into images so potent and precise that they resonate with us all. Plath has been an inspiration to successive generations; her influence, enduring and profound.
‘If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, great generosity . . . the book is a major literary event.’ A. Alvarez, Observer, 1965
Parade
3.490 kr.Midway through his life, an artist begins to paint upside down.
In Paris, a woman is attacked by a stranger in the street.
A mother dies. A man falls to his death. Couples seek escape in distant lands.
The new novel from one of the most distinctive writers of the age, Parade sets loose a carousel of lives. It surges past the limits of identity, character, and plot, to tell a true story – about art, family, morality, gender, and how we compose ourselves.
The Mark
3.490 kr.The Icelandic Psychological Association has prepared a test. They call it a sensitivity assessment: a way of measuring a person’s empathy and identifying the potential for anti-social behaviour.
In a few days’ time, Iceland will vote on whether to make the test compulsory for every citizen. The nation is bitterly divided. Some believe the test makes society safer; others decry it as a violation.
As the referendum draws closer, four people – Vetur, Eyja, Tristan and Ólafur – find themselves caught in the teeth of the debate. Each of them will have to reckon with uncomfortable questions: Where do the rights of society end and the rights of the individual begin? When does utopia become dystopia?No matter which side wins, they will all have to find a way to live with the result.
Grief Is the Thing with Feathers
3.490 kr.In a London flat, two young boys face the unbearable sadness of their mother’s sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness. In this moment of despair they are visited by Crow – antagonist, trickster, healer, babysitter.
This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him. In a London flat, two young boys face the unbearable sadness of their mother’s sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow – antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and the pain of loss gives way to memories, the little unit of three starts to heal.
Max Porter’s extraordinary debut – part novella, part polyphonic fable, part essay on grief – marked the arrival of a thrilling new literary talent. Ten years on, readers continue to discover and fall in love with Grief is the Thing With Feathers.
Intermezzo
3.490 kr.Peter is a Dublin lawyer in his thirties – successful, competent and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women – his enduring first love Sylvia, and Naomi, a college student for whom life is one long joke.
Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.
For two grieving brothers and the people they love, this is a new interlude – a period of desire, despair and possibility – a chance to find out how much one life might hold inside itself without breaking.