They
3.490 kr.For fans of I Who Have Never Known Men, a ‘creepily prescient’ (Margaret Atwood) lost dystopian ‘masterpiece’ (Emily St. John Mandel): in a nightmarish Britain, THEY are coming closer…
‘Ceepy, tense and strange.’ Ian Rankin ‘Delicious and sexy and downright chilling … Read it!’ Rumaan Alam ‘The signature of an enchantress.’ Edna O’Brien ‘I’m pretty wild about this paranoid, terrifying 1977 masterpiece.’ Lauren Groff ‘Completely got under my skin.’ Kiran Millwood Hargrave ‘Lush, hypnotic, compulsive.’ Eimear McBride ‘A masterwork of English pastoral horror.’ Claire-Louise Bennett ‘A short shocker.’ Andrew Hunter Murray
This is Britain: but not as we know it.
THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks – and those who resist.
THEY capture dissidents – writers, painters, musicians, even the unmarried and childless – in military sweeps, ‘curing’ these subversives of individual identity.
Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget …Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick’s They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity – and a warning.
Bad Queer
3.490 kr.A luminous and romantic debut verse-novel navigating first love as a non-binary teenager.
I feel invincible.
Like I could run and run
and never stop for breath.I feel a power in me
I didn’t know I had.The power to speak,
to say what I need.Surya knows exactly who they are. Coming out as non-binary to their queer parents and best friend? A total non-event. Catching feelings for Blessing – the boy in drama club whose smile makes their heart race? That’s trickier.
As their final year of school unfolds and the two of them grow closer, Surya starts to question: Does Blessing really see them? Or just a version of them that doesn’t exist? They’d ask their best friend for advice, but she’s busy falling in love too. . .
With gorgeous illustrations throughout, Bad Queer draws us deeply into queer friendship, family secrets, and the necessary act of loving yourself. Perfect for fans of Alice Oseman, Dean Atta and Sarah Crossan.
This is a love letter to queer futures – tender, curious, and fiercely alive.
‘One of spring’s most notable debuts.’ The Observer
‘Fiercely compassionate storytelling.’ Sonido Reyes, award-winning and bestselling author of The Lesbiana’s Guide to Catholic School
‘Pure trans teenhood – punchy, clumsy and raw.’ Sabah Choudrey, activist, speaker and author of Supporting Trans People of Colour
‘Truthful, intimate and powerful.’ Laura Dockrill, award-winning author of I Love you, I Love you, I Love You
‘Beautifully written verse novel about first love, acceptance and identity.’ Abiola Bello, bestselling author of The Love Dare
‘Sensual, present and protective. I feel like I made a friend.’ Steven Camden, CLiPPA poetry awarding author of Everything All at Once
A Place Both Wonderful and Strange
5.690 kr.In A Place Both Wonderful and Strange, film and TV critic Scott Meslow takes us behind the (red) curtain of Twin Peaks and into the unique and immersive world created by David Lynch and Mark Frost. Meslow has conducted dozens of original interviews with cast and crew – including Mark Frost, Sherilyn Fenn, James Marshall and Ray Wise – which shed new light on this extraordinary work that often raised as many questions as it answered.
With David Lynch’s passing in 2025, there may never be another return to the unforgettable town of Twin Peaks, yet A Place Both Wonderful and Strange draws readers back once again to the inimitable experience of the show and offers fascinating new insights and perspectives.
On the Calculation of Volume IV
3.990 kr.It feels as though we have each been walking along our own path in the same forest. And now, we have found our way to a clearing and suddenly we see that we share not only the clearing but the forest too. You think it begins when you meet, but in fact, our stories were already entwined.
Stowaways
3.990 kr.This contemporary twist on Brief Encounter is a tender meditation on what might have been.
‘Maybe we love people because they won’t let us know them.’A summer’s evening in Manhattan. Nothing – not cold drinks, not showers not a stroll through the chilly aisles of an all-night drugstore – can undo the heat’s hold on the city. Julian is half watching the evening news, his husband filling the dishwasher. That’s when it arrives. An email with the subject line: ‘From Paul Axel’. An email about a dead man from Carol – a woman Julian has never met. Paul has left a message he’d like her to relay.
Emails are exchanged. Morning coffee at the Bryant Park Grill is agreed. Carol, fulfilling Paul’s final request, wonders how she will tell Julian of a life – and a love – he has no idea existed. A life, encased in a flash drive, containing multitude
T. S. Eliot – Selected Poems
3.990 kr.This selection, which was made by Eliot himself, is intended as an introduction to the main body of his poetry prior to Four Quartets, which is available separately in Faber Paperbacks. The selection includes the whole of The Waste Land.
The Waste Land and Other Poems
3.990 kr.April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain . . .Published in 1922, The Waste Land was the most revolutionary poem of its time, offering a devastating vision of modern civilisation which has lost none of its power as we enter a new century.
John and Paul: A Love Story in Songs
3.990 kr.At the centre of The Beatles was the volatile, madly creative chemistry between John Lennon and Paul McCartney. This is the story of how two young men merged their souls and multiplied their talents to produce one of the greatest bodies of music in history. It is also a love story, full of longing, laughter, pain and joy.
The Bell Jar
3.490 kr.Sylvia Plath is a major cultural icon who continues to inspire new generations of female readers. The Bell Jar is one of the defining novels of the 20th century.
I was supposed to be having the time of my life . . .Working as an intern for a New York fashion magazine in the summer of 1953, Esther Greenwood is on the brink of her future. Yet she is also on the edge of a darkness that makes her world increasingly unreal. Esther’s vision of the world shimmers and shifts: day-to-day living in the sultry city, her crazed men-friends, the hot dinner dances . . .
The Bell Jar, Sylvia Plath’s only novel, is partially based on Plath’s own life. It has been celebrated for its darkly funny and razor sharp portrait of 1950s society, and has sold millions of copies worldwide.
Lord of the Flies
3.490 kr.A plane crashes on a desert island. The only survivors are a group of schoolboys. By day, they explore the dazzling beaches, gorging fruit, seeking shelter, and ripping off their uniforms to swim in the lagoon. At night, in the darkness of the jungle, they are haunted by nightmares of a primitive beast.
Orphaned by society, they must forge their own; but it isn’t long before their innocent games devolve into something far more dangerous . . .
Feeding the Monster: Why horror has a hold on us
3.690 kr.Zombies want brains. Vampires want blood. Cannibals want human flesh.
All monsters need feeding. Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets and countless other horror films and TV series over the last few years, loving the genre still prompts the question: what’s wrong with you? Implying, of course, that there is something not quite right about the people who make and consume it.
In Feeding the Monster, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.
On the Calculation of Volume III
3.990 kr.Tara Selter is no longer alone. Tara Selter has lived the eighteenth of November 1,143 times when she notices a break in the pattern: a man has changed his shirt. The man is Henry Dale, and he remembers all the days that have come before.He knows that time has fallen out of joint. Now they are two of a kind – trapped in the eighteenth of November, but no longer alone.
Together they learn to share their present; their voices grow hoarse recounting their small battles against it and their bewilderment at the disintegrating world. Henry sees things differently to Tara: he does not think that time will put itself back together and he does not think that the future will come around. But he makes her realise that she is no longer the same person she was before this fault in time. And he makes her believe that there may be others to find within it.
Ariel
3.990 kr.‘The world is blood-hot and personal’: in her moving and illuminating introduction, the poet Emily Berry remembers her own teenage encounters with Ariel and offers a personal way into this definitive collection. She shows us how Plath can crystallize our most volatile emotions, transforming them into images so potent and precise that they resonate with us all. Plath has been an inspiration to successive generations; her influence, enduring and profound.
‘If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, great generosity . . . the book is a major literary event.’ A. Alvarez, Observer, 1965
Parade
3.490 kr.Midway through his life, an artist begins to paint upside down.
In Paris, a woman is attacked by a stranger in the street.
A mother dies. A man falls to his death. Couples seek escape in distant lands.
The new novel from one of the most distinctive writers of the age, Parade sets loose a carousel of lives. It surges past the limits of identity, character, and plot, to tell a true story – about art, family, morality, gender, and how we compose ourselves.
The Mark
3.490 kr.The Icelandic Psychological Association has prepared a test. They call it a sensitivity assessment: a way of measuring a person’s empathy and identifying the potential for anti-social behaviour.
In a few days’ time, Iceland will vote on whether to make the test compulsory for every citizen. The nation is bitterly divided. Some believe the test makes society safer; others decry it as a violation.
As the referendum draws closer, four people – Vetur, Eyja, Tristan and Ólafur – find themselves caught in the teeth of the debate. Each of them will have to reckon with uncomfortable questions: Where do the rights of society end and the rights of the individual begin? When does utopia become dystopia?No matter which side wins, they will all have to find a way to live with the result.
Grief Is the Thing with Feathers
3.490 kr.In a London flat, two young boys face the unbearable sadness of their mother’s sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness. In this moment of despair they are visited by Crow – antagonist, trickster, healer, babysitter.
This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him. In a London flat, two young boys face the unbearable sadness of their mother’s sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow – antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and the pain of loss gives way to memories, the little unit of three starts to heal.
Max Porter’s extraordinary debut – part novella, part polyphonic fable, part essay on grief – marked the arrival of a thrilling new literary talent. Ten years on, readers continue to discover and fall in love with Grief is the Thing With Feathers.
Intermezzo
3.490 kr.Peter is a Dublin lawyer in his thirties – successful, competent and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women – his enduring first love Sylvia, and Naomi, a college student for whom life is one long joke.
Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.
For two grieving brothers and the people they love, this is a new interlude – a period of desire, despair and possibility – a chance to find out how much one life might hold inside itself without breaking.
Kudos
3.490 kr.A woman on a plane listens to the stranger in the seat next to hers telling her the story of his life: his work, his marriage, and the harrowing night he has just spent burying the family dog. That woman is Faye, who is on her way to Europe to promote the book she has just published. Once she reaches her destination, the conversations she has with the people she meets – about art, about family, about politics, about love, about sorrow and joy, about justice and injustice – include the most far-reaching questions human beings ask. These conversations, the last of them on the phone with her son, rise dramatically and majestically to a beautiful conclusion.
Following the novels Outline and Transit, Kudos completes Rachel Cusk’s trilogy with overwhelming power.
On the Calculation of Volume II
3.990 kr.Tara Selter is searching for a way back into time. Tara has been stuck in the 18th of November for over a year’s worth of days. She still wakes up to the same newspapers, and the same blank faces when she explains that she has seen this all before.
Until one morning, she boards a train and finds herself in a new day. It is still the eighteenth of November, but the faces are different, the weather is colder. She realises that she has found a way out of her endless autumn.
By moving across Europe rather than through time, she can collect the ingredients for the seasons: the thin film of ice on puddles, the fresh spring breeze, the blazing summer sun. As she travels, she begins to hope for a new future, one that will run in parallel to the eighteenth of November, one that she must build for herself.